The Idealist-Realist Dialectic

I’ve already hinted at “the idealist” and “the realist” being at odds in the way they perceive the world through Lin Yutang’s pseudo-scientific formula:

Reality + Dreams = A heart-ache (usually called Idealism)
Reality + Humour = Realism (also called Conservatism)

I hear you say “Why?” Always “Why?” You see things; and you say “Why?” But I dream things that never were; and I say “Why not?George Bernard Shaw 

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“Dreams” by Wislawa Szymborska

” He looked at his own Soul with a Telescope.
What seemed all irregular, he saw and shewed to
be beautiful Constellations: and he added to the
consciousness hidden worlds within worlds.”
Coleridge, NotebooksXXXXXXXXXXXXXXXXXX

I have reblogged this post from dreamrly and got acquainted with it from http://symbolreader.net/
If you’ve read any of my posts, you may have noticed my interest with “the dream world”.This post /blog shares this interest and an astute poem by Wislawa Szymborska open to discussion, especially about dreams beyond analysis. I find it a po(e)tent means (one “Telescope” of sorts) at “looking at [one’s] soul “as Coleridge so aptly put it.XXXXXXXXXXXXXXXXXXXXX

dreamingly yours,
MichalXXXXXXXXXXXXXXXX

Related PostsXXX
https://happyheuristics.wordpress.com/2012/12/04/metaphors-coaching-with-right-brain-modalities/
https://happyheuristics.wordpress.com/2013/07/01/mythology-1-evolution-as-revelation/

Icarus at the Edge of Time

What if Icarus traveled not to the sun but to a black hole? This 40-minute 62-piece orchestral work is a mesmerizing adaptation of Icarus at the Edge of Time, Brian Greene’s book for children. A re-imagining of the Greek myth, which brings Einstein’s concepts of relativity to visceral, emotional life, it features an original score by Philip Glass, script adapted by Greene and David Henry Hwang and film created and directed by Al + Al. Performed live with narrator Liev Schreiber and the Orchestra of St. Luke’s, conducted by Brad Lubman. Continue reading

The Feminist Icarista: Ana Mendieta

Last Silueta

You fell into the pit of Cuban revolution, first exodus

And you were told: “it’s no good lingering over the pit

In war anything and everything goes, if you want to fit”

Peripheral excavating of thy heritage wills your uprising

 Pedro Pan girl in American exile, won’t states’ plaything

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Liberating Brainwashing

Duke Leto Atreides I’s Rite of passage in Dune by Frank Herbert

I must not fear.

Fear is the mind-killer.

Fear is the little-death that brings total obliteration.

I will face my fear.

I will permit it to pass over me and through me.

And when it has gone past I will turn the inner eye to see its path.

Where the fear has gone there will be nothing.

Only I will remain.

Dune (1984) – Gom Jabbar

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Mythology 1: Evolution as Revelation?

Mytology I_Michal

Mythology 1    

The myth is the public dream and the dream is the private myth. If your private myth, your dream, happens to coincide with that of the society, you are in good accord with your group. If it isn’t, you’ve got an adventure in the dark forest ahead of you. Joseph Campbell

The figure head of the dragon (in the foreground down on the left when facing the picture), found by chance, was the impetus for this piece. I used the technique grottage with strings of different width, on acrylic paint on a cardboard box that I, first, carefully gessoed black. Beyond recycling and its connotations, I liked working with the box for its unfolding and folding characteristics, as historical (un)folding, from center to periphery, personal to universal, but not only. I left the outer areas of the folds with little covering in comparison with the central image, as a statement of possibilities, however, in dialectic with the overall picture which reveals itself in the same way the whole dinosaur (along the right fold) is reconstructed by the expert archaeologist with only one vertebra of it. Continue reading

Hyperdialectic: A Structural and Structuring Heuristics

Dynamics of Opposites: Hyperdialectic

What
 we
 call 
hyperdialectic 
is 
a
 thought…that
 is
 capable
 of 
reaching 
truth 
because 
it
 envisages 
without restriction 
the
 plurality 
of 
the
 relationships 
and
 what 
has 
been 
called ambiguity. The bad dialectic 
is
 that 
which
 thinks
 it 
recomposes
 being 
by 
a 
thetic 
thought, by 
an
 assemblage
 of 
statements, 
by 
thesis,
 antithesis,
 and 
synthesis; 
the
 good 
dialectic
 is 
that
 which
 is
 conscious 
of 
the fact 
that
 every
 thesis
 is 
an
 idealization, that
 Being 
is
 not 
made 
up
 of
 idealizations
 or 
of 
things
 said, 
as
 the 
old
 logic 
believed, 
but 
of 
bound
 wholes 
where
 signification 
never 
is 
except 
in tendency*, where the inertia of the content never permits the defining of one term as positive, another term as negative, and still less a third term as absolute suppression of the negative by itself. (Merleau-Ponty The Visible and Invisible)

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