Mythology 1: Evolution as Revelation?

Mytology I_Michal

Mythology 1    

The myth is the public dream and the dream is the private myth. If your private myth, your dream, happens to coincide with that of the society, you are in good accord with your group. If it isn’t, you’ve got an adventure in the dark forest ahead of you. Joseph Campbell

The figure head of the dragon (in the foreground down on the left when facing the picture), found by chance, was the impetus for this piece. I used the technique grottage with strings of different width, on acrylic paint on a cardboard box that I, first, carefully gessoed black. Beyond recycling and its connotations, I liked working with the box for its unfolding and folding characteristics, as historical (un)folding, from center to periphery, personal to universal, but not only. I left the outer areas of the folds with little covering in comparison with the central image, as a statement of possibilities, however, in dialectic with the overall picture which reveals itself in the same way the whole dinosaur (along the right fold) is reconstructed by the expert archaeologist with only one vertebra of it. Continue reading

Hyperdialectic: A Structural and Structuring Heuristics

Dynamics of Opposites: Hyperdialectic

What
 we
 call 
hyperdialectic 
is 
a
 thought…that
 is
 capable
 of 
reaching 
truth 
because 
it
 envisages 
without restriction 
the
 plurality 
of 
the
 relationships 
and
 what 
has 
been 
called ambiguity. The bad dialectic 
is
 that 
which
 thinks
 it 
recomposes
 being 
by 
a 
thetic 
thought, by 
an
 assemblage
 of 
statements, 
by 
thesis,
 antithesis,
 and 
synthesis; 
the
 good 
dialectic
 is 
that
 which
 is
 conscious 
of 
the fact 
that
 every
 thesis
 is 
an
 idealization, that
 Being 
is
 not 
made 
up
 of
 idealizations
 or 
of 
things
 said, 
as
 the 
old
 logic 
believed, 
but 
of 
bound
 wholes 
where
 signification 
never 
is 
except 
in tendency*, where the inertia of the content never permits the defining of one term as positive, another term as negative, and still less a third term as absolute suppression of the negative by itself. (Merleau-Ponty The Visible and Invisible)

Continue reading