Alice Munro Nobel Prize: Appreciation for the Short Story

I was so glad when I heard that Alice Munro won the Nobel Prize. 1st Canadian to win it, but also (still only) 13th woman. I’ve noticed that some of my favorite authors are Canadian women, like the late Carol Shields and Margaret Atwood, who also write fine short stories . I’ve only discovered them in the last 4 years and I can trace my becoming more conscious of the (female) fool’s journey reading these female Canadian authors. Continue reading

Hide and Seek at Rosh Hanikra

 Dolce Far Niente or …

My idea of a holiday is far niente, dolce far niente, to my husband’s dismay. Not even reading. And I have an outstanding talent at doing nothing without any feeling of guilt. Continue reading

Icarus at the Edge of Time

What if Icarus traveled not to the sun but to a black hole? This 40-minute 62-piece orchestral work is a mesmerizing adaptation of Icarus at the Edge of Time, Brian Greene’s book for children. A re-imagining of the Greek myth, which brings Einstein’s concepts of relativity to visceral, emotional life, it features an original score by Philip Glass, script adapted by Greene and David Henry Hwang and film created and directed by Al + Al. Performed live with narrator Liev Schreiber and the Orchestra of St. Luke’s, conducted by Brad Lubman. Continue reading

The Feminist Icarista: Ana Mendieta

Last Silueta

You fell into the pit of Cuban revolution, first exodus

And you were told: “it’s no good lingering over the pit

In war anything and everything goes, if you want to fit”

Peripheral excavating of thy heritage wills your uprising

 Pedro Pan girl in American exile, won’t states’ plaything

Continue reading

Mythology 1: Evolution as Revelation?

Mytology I_Michal

Mythology 1    

The myth is the public dream and the dream is the private myth. If your private myth, your dream, happens to coincide with that of the society, you are in good accord with your group. If it isn’t, you’ve got an adventure in the dark forest ahead of you. Joseph Campbell

The figure head of the dragon (in the foreground down on the left when facing the picture), found by chance, was the impetus for this piece. I used the technique grottage with strings of different width, on acrylic paint on a cardboard box that I, first, carefully gessoed black. Beyond recycling and its connotations, I liked working with the box for its unfolding and folding characteristics, as historical (un)folding, from center to periphery, personal to universal, but not only. I left the outer areas of the folds with little covering in comparison with the central image, as a statement of possibilities, however, in dialectic with the overall picture which reveals itself in the same way the whole dinosaur (along the right fold) is reconstructed by the expert archaeologist with only one vertebra of it. Continue reading

“Art” de Yasmina Reza: De l’autre côté du tableau blanc

J’adore le  théâtre, d’ailleurs j’en refais en amateur (en hébreu) depuis un an, dans un petit centre communautaire de ma ville. J’ai aussi retrouvé le goût et la patience de voir des pièces même si, parfois, qu’à travers la lucarne Youtube. Continue reading

Umbilici Matters

 

Yoel Benharrouche_melodie des sens et partage de lumiereMélodie des sens et partage de lumière par Yoel Benharrouche

Above: the sky

Below: matter

You, umbilici Continue reading